I hadn't seen Late Spring before, but felt relatively safe in buying it because having watched Late Autumn and Early Summer, I felt there was a sufficiently predictable pattern to director Ozu's style
for me to take the gamble. Predictable is not a knock here, as Ozu's
films are not about the destination but the journey, and Late Spring
is another fine film in his repertoire. The plot concerns a elderly
gent (Chishu Ryu) worried about marrying off his daughter (Setsuko
Hara), but the girl is happy with caring for her father and wants to
continue their present life. The plot is simple, the script's beauty is
in the delicate portrayal of relationships and the dilemma the
characters face between their emotional desires and the role that
civilized human society requires them to play. It's sad that most Indian
audiences are not interested in foreign cinema that doesn't come from
Hollywood. I feel they would find a lot common social / cultural ground
with the characters of Ozu films and the moral dilemmas they face - I
would say they are very similar to Sooraj Barjatya / Rajshri
films, if you put aside the gaudy naach-gaana and chauvinism. It also
helps that Ozu has a very unpretentious low-key style. Late Spring, like
his other films, has a gentle pace, but cannot be described as
slow-moving in the sense that there are no wasted or empty moments. My
favorite scene in the film is when the father advises the daughter as to
why she should get married and how she should aim for happiness in
life. It's beautifully understated both in direction and in the actors'
performances, and brings a lump to my throat.
The video quality of the Criterion blu-ray is compromised on account of the source material. While the studio has doubtless done its best, there are many damage marks (most of them slight and non-distracting) and some amount of flickering. The mono sound is clear and solid. I haven't gone through the extras, but Wim Wender's Ozu related documentary - Tokyo-Ga - sounds pretty interesting.
The video quality of the Criterion blu-ray is compromised on account of the source material. While the studio has doubtless done its best, there are many damage marks (most of them slight and non-distracting) and some amount of flickering. The mono sound is clear and solid. I haven't gone through the extras, but Wim Wender's Ozu related documentary - Tokyo-Ga - sounds pretty interesting.
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