Our nubile heroine Vita (the gorgeous Aurelia Anuzhite, both leered at and revered by the camera) is in the course of sitting for a painting of the Virgin Mary - ah, symbolism - assaulted by the creepy artist Albert. He then seems to invade her dreams as well, perhaps even taking on the form of the giant spider that ravishes her by night. Prescribed a course of rest in the countryside for her "self-suggested delusions", she goes to her aunt's family (inciting a bit of sexual tension there), but her visions appear to follow her.
The narrative is slight and, like with the Italian giallo films, more a bag of contrivances to hang the visual set-pieces. But oh, what lovely visuals they are, bringing to mind the object-fetish style of Walerian Borowczyk: A fragile painterly atmosphere permeates most of the film - occasionally dipping into psychedelic territory - counterpointed by a moody, jangly electronic score (even the somewhat tinny sound appears to be by design). There are some memorable scenes towards the early part of the film where paintings appear to come to life. The horror / gore effects are also very nicely done, and I have to say stop-motion spiders look creepier than real spiders. Director Vasili Mass certainly shows a lot of chutzpah and it's sad to see that he didn't direct anything else.
In his review, Blu-ray.com's
resident arthouse critic Svet Atanasov attributes a layered
socio-political metaphor to the film, comparing it to Andrzej Zulawski's Possession and writer Mikhail
Bulgakov's The Master and Margarita. I'm afraid I really don't find
that connection, perhaps the director interview on my disc will enlighten me. Based on a recent 4K restoration of original film elements, Mondo Macabro's blu-ray presentation wonderfully replicates the unique look of the film. Individual frames could well be hung up in galleries, it's that good.
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