Based on a novel by Len Deighton (which I haven't read), The Ipcress File features protagonist
Harry Palmer (Michael Caine - young and dashing, a far cry from the desultory valet of the Dark Knight series)
is a secret service agent, but grittier and working class compared to
James Bond (the comparison is valid since the film was produced by
regular Bond series co-producer Harry Saltzman). While Bond's adventures
have him traipsing around exotic foreign landscapes, Palmer (at least
in this story) is mostly restricted to London and the nearby
countryside. Bond can afford to gulp down Beluga caviar and Bollinger
champagne without worrying about the expense account, but poor Harry
earns only 1300 quid a year and hopes a promised raise will allow
him to buy a coveted infra-red grill to satisfy his gourmet-on-a-budget
whims.
The script involves the usual convolutions of intrigue, red herrings and double agents any self-respecting Cold War era spy caper would feature and they are done well. I must admit here that I am quite biased towards the old-school Brit "stiff upper lip" tone. Visually the film is quite stylish (DoP Otto Heller of Peeping Tom fame), sometimes to an extreme, with for example shots from the POV of a ceiling lamp or a outdoor fight sequence captured from inside an empty phone both. But director Sidney Furie ensures that it's all good pacy fun and never ceases to be interesting. Caine is in top form here and has strong support from a stellar British cast (including the ultra-manly Nigel Green). The film has more intrigue than action or spectacle so don't expect outrageous stunts but that's intentional - Palmer's world is designed to be an antithesis to the ultra-glamorous Bond-verse, and makes a forceful impact. The success of the film led to stardom and bigger roles for Caine (Italian Job, Get Carter), and though I suspect it will be a case of diminishing returns, I am tempted to try out the further installments of the franchise, including Guy Hamilton's Funeral in Berlin and Ken (seriously?) Russell's Billion Dollar Brain.
Recommended for gritty spy thriller fans.
The script involves the usual convolutions of intrigue, red herrings and double agents any self-respecting Cold War era spy caper would feature and they are done well. I must admit here that I am quite biased towards the old-school Brit "stiff upper lip" tone. Visually the film is quite stylish (DoP Otto Heller of Peeping Tom fame), sometimes to an extreme, with for example shots from the POV of a ceiling lamp or a outdoor fight sequence captured from inside an empty phone both. But director Sidney Furie ensures that it's all good pacy fun and never ceases to be interesting. Caine is in top form here and has strong support from a stellar British cast (including the ultra-manly Nigel Green). The film has more intrigue than action or spectacle so don't expect outrageous stunts but that's intentional - Palmer's world is designed to be an antithesis to the ultra-glamorous Bond-verse, and makes a forceful impact. The success of the film led to stardom and bigger roles for Caine (Italian Job, Get Carter), and though I suspect it will be a case of diminishing returns, I am tempted to try out the further installments of the franchise, including Guy Hamilton's Funeral in Berlin and Ken (seriously?) Russell's Billion Dollar Brain.
Recommended for gritty spy thriller fans.
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